The Parsis, on the other hand, understood that philanthropy
- love of mankind - recognizes that we cannot progress alone.
That there is such a thing as the common good.
They spent as no Indian community had ever before,
On building institutions, making them stand out in a culture
whose talent lies in renaming things other people built.
The Parsis built libraries all over India , they built theNational Gallery of Art.
The Indian Institute of Science was built in 1911 by Jamshedji Nusserwanji Tata,
the Tata Institute of Fundamental Research was built by Dr Homi Bhabha,
The Tata Institute of Social Science was built in 1936 by the Sir Dorabji Tata Trust.
The Wadias built hospitals, women's colleges
And the five great low-income Parsi colonies of Bombay . JJ Hospital
and Grant Medical College were founded by Sir Jamsetjee Jejeebhoy.
By 1924, two out of five Indians - whether Hindu, Muslim
or Parsi - joining the Indian Civil Services were on TATA scholarships.
They gave Mumbai the Jehangir Art Gallery, Sir JJ School of Art ,
the Taraporevala Aquarium. The National Center for Performing Arts,
the only place in India where world-class classical concerts are held is a gift of the Tatas.
There are 161 Friends of the Symphony Orchestra of India (SOI) -
For an annual fee of Rs 10,000, Friends of the SOI get
two tickets to any one recital in the season,
They get to shake hands with artistes after the concert
and they get to attend music appreciation talks through the year.
The Parsi dominates high culture in Mumbai.
This means that a concert experience in the city is unlike that in any other part of India .
Classical concerts seat as many as two thousand.
Zubin Mehta, the most famous Parsi in the world,
Is Director of the Israel Philharmonic Orchestra since 1969.
He conducts the tenor Placido Domingo, the pianist Daniel Barenboim
And the soprano Barbara Frittoli. Four concerts are held at the
Jamshed Bhabha Opera House
and then one at Brabourne Stadium with a capacity of 25,000.
No other city in India has this appetite for classical music
And in Mumbai this comes from the Parsis. Despite their tiny population,
The Parsi presence in a concert hall is above 50 per cent.
And they all come. Gorgeous Parsi girls in formal clothes - saris, gowns - children,
men and the old. Many have to be helped to their seats. Most of them know the music.
The people who clap between movements,
Thinking that the 'song' is over, are non-Parsis.
Symphony Orchestra of India concerts begin at 7 PM.
Once the musicians start, latecomers must wait outside till the movement ends.
The end of each movement also signals a fusillade of coughs and groans,
held back by doddering Parsis too polite to make a sound while Mendelssohn is being played.
No mobile phone ever goes off as is common in cinema halls:
his neighbors are aware of the Parsi's insistence of form and his temper.
The Parsis were also pioneers of Mumbai's Gujarati theatre,
Which remains the most popular form of live entertainment in Mumbai.
Any week of the year will see at least a half dozen bedroom comedies,
murder mysteries, love stories and plays on assorted themes on stage.
The Parsis were the pioneers of this, writing and acting in the first plays of Mumbai.
They also built the institutions that supported this.
Mumbai's first theatre was opened by Parsis in 1846, the Grant Road Theatre,
donations from Jamshetjee Jejeebhoy and Framjee Cowasjee making it possible.
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